The name "Do not go gentle into that good night" is taken from the poem of the same name by the English poet Dylan Thomas. The poet sighs that the old man is roaring in time, and my film is also the theme of expressing time ,life and circulation. The short film is in the form of VR, with time as a clue, divided into four segments: morning, noon, dusk, and night. The audience uses the public telephone as a channel to enter the virtual world of different countries. He was born in a wooden boat in the early morning, stepped into the cinema at noon, and ran in the factory under the twilight. After entering the night, he slowly entered the grave. The four scenes together make up the day and the life of the film. In my world, the canoe can fly; the ruined theater can play movies; the fossils can walk; while entered into the lonely journey with the far-reaching and good night in the desert, there also has countless strange eyes to accompany. But his story is not over, because in front of his grave, there is still a wooden boat he was born in...

<Do not go gentle into that good night> is a VR image work. This short film fully shows the author's fantasy spiritual world, and is constantly trying and studying on the expression of panoramic immersion art style. There are great differences between traditional images and VR images, whether picture composition, interactive experience, or film rhythm, I am groping in this short film, and hope to develop a new audio-visual language.

This work was created by me personally, and it did not really enter the market. The way of dissemination of this work is through the exhibitions, because there are not many relatively complete and independent VR images in China. "Good Night" is relatively complete in terms of length, style and interactive experience, and has received high attention in the exhibition. People still have a high degree of curiosity and acceptance towards VR

the video boosts the exploration of VR image style and aesthetic images.

The production of the whole film was completed by Dong Yanze alone. In the process of conception and production, professor Gong Lin gave a lot of professional advice.

The whole work achieves and exceeds the original expected goal. I think this has a lot to do with the reasonable and clear production process of the film. In the production, I set aside enough time to change it. This makes the pictures can be constantly discussed for improvement, gradually close to my ideal picture style, and in the key frame rendering of short film, the pictures transmit from rough to exquisite step by step.

This work is my personal work, not subject to the prescribed time of Party A, so it can be refined and modified repeatedly, and it took about two years from the beginning of the idea to the end of the film.

The original intention of the work is very simple, that is, The new VR technology shows my fantasy world, which enables the audience to immerse themselves in my world and metaphorize a story of life and time. The final result is also generally satisfactory, the sense of immersion and fantasy are very strong, the story is also a complete narrative. And I was surprised by the presentation of the pictures.