Project Description
World famous designer, creator, and artist, Gilles Caffier, who was born in France, has been traveling and working worldwide. He studied Fashion and Textile Design in school and now works as a textile designer for high-end tailor in Paris.
KL&K Design has cooperated with DCDECOR, a company featured in soft furnishing decorations and decoration trade, to bring Gilles Caffier’s work into China. KL&K Design is responsible for the unique brand building, the spread of the image, and the space design of its showroom and exhibition room.
Gilles’ artwork show a very strong personality. They were made from hands and the nature, with techniques and polishing, as if an elaboration of the world we live in. Gilles wanders among various raw materials, such as wood, marbles, hematite, and earthenware. He follows his heart in creating and transforming. From leather to metal, the rough seems soft, and even the most subtle spot is full of energy. Gilles also wanders between the beauty of nature and the trace of time. He carefully polishes every single one, unexpectedly making the lines clean and emotional. His experience in aesthetic and materials makes his work nearly perfect. Unique creation with top techniques, the use of rare materials with perfect detail making, together label his work with “Haute Couture.” A rich touch of art and the distinguishing characteristics of nature have spanned across multiple nations and decoration styles, winning attentions from customers of all fields.
In order for Chinese consumers to get a better understanding of Gilles Caffier’s artwork, KL&K Design has worked with Hand In Hand Productions in producing a documentary film “The Art of Gilles Caffier” to show Grilles’ creation concept and artwork.
To experience the life in space is more important than the space itself, as space is part of our life. The space design centers on the brand tonality. To show the deluxe, artistic and natural quality of the product, the spacial layout opens up after a restrained tone, a way of “exalting after eliminating.” The entire glass appears grey to imply the possibility of discovery. Passing the curved entrance, one is surrounded by artistic atmosphere. Higher ceilings alternating with lower ones resemble the spirit of nature. This grayish space washes off the ostentatious urban lifestyle, leaving all kinds of possibilities. The spotlights scatter in the air, in which the materials seem to fluctuate between imagination and reality. From every corner the vitality of nature revives. Passing the front lobby, there comes the inner lobby, which is more lively. It emphasizes more on qualities such as “comfortable natural, cultural, haute couture.” Forms come from contents, as every sincere work that placed in corners come from expectation of life. The work are like wood, gentle yet with tension; they are like marble, firm yet elegant; they are like hematite, dazzling yet steady; they are like earthenware, plain yet delicate. The trace of time left by these raw materials is just as the layers constructed by the space. Life is art, and art is all about life.
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